Veronese en NY

 “Un Hombre que se Ahoga” (“A Man Who Drowns”), an Argentine piece at this year’s Lincoln Center Festival, is an adaptation of Chekhov’s “Three Sisters,” arranged as efficiently as a businessman’s valise. Of all Chekhov’s masterworks, “Three Sisters” is the play we most associate with stasis, the grim view that life is happening far beyond the tree line. Chekhov himself acknowledged that it had “an atmosphere more gloomy than gloom itself.” The manipulative prevail; the hopeful and decent merely subsist. But in this production by Proyecto Chejov, Daniel Veronese, the director and adapter, has refused to travel with the full cargo of all that melancholy.

Chekhov Compacted, in Spanish by NYT

Britain becomes a Prozac nation

The number of Britons prescribed antidepressants is at a record high, despite official warnings that many patients may not need them.

More than 31 million prescriptions were written by doctors for antidepressant drugs last year, figures published today reveal, with the use of drugs such as Seroxat and Prozac increasing by 10 per cent. The findings, which show a big increase on previous years, come despite growing concerns over the country’s excessive reliance on chemical treatments and over their possible side-effects.

The Times

Cumple Marks

Entren. Actoral Rubén Szuchmacher y Pablo Caramelo 2007

ENTRENAMIENTO ACTORAL
Coordinación:
RUBÉN SZUCHMACHER y PABLO CARAMELO

Destinado a estudiantes de teatro avanzados y actores

Temas:
El texto como materia. Correspondencia texto- cuerpo – pensamiento.
La acción en la palabra.
La forma de la palabra y su ritmo.
Entrenamiento con textos de Tragedia Griega y Siglo de Oro Español.
Durante este cuatrimestre se trabajará principalmente textos de Federico García Lorca

http://elkafkaespacioteatral.blogspot.com/2006/12/rubn-szuchmacher-talleres-y-seminarios.html

——

Técnica de relajación Checklist

* RESPIRAR
* Cuello,
sin tirar, vueltas
* Respirar con cuellos a ambos lados y al frente y atras
* Hombros: atrás, adelante, desbalancear

* Manos, palmas hacia afuera, brazos a la altura de hombros, relajar hombros y respirar.
* Idem anterior, bajando y expirando y subiendo aspirando.
* Cadera,
subir y bajar los brazos, en circulos, de derecha a izquierda
de atrás hacia adelante
* Agachado, piernas un poco flexionadas, puños, respirar
* Idem anterior, + recostarse y levantarse todo los mov. a la vez.
* Pelvis
* Rodillas
* Tobillos, sacudir
círculos
* Centrífugos, brazos sueltos
* Expirar con labios sueltos, temblando
con ‘eme’ y con ‘aaa’, etc
* Movimientos de mandíbula
* Masaje Cara
* Boca

Casona 2007

CASONA 2007

Postby csims » 17 Apr 2007 03:30 am

Bitácora de los ensayos de 2007, para obra. 

OBRA: FULANA DE TAL

ImageImage

INTEGRANTES: 

VANI = REBECA
GABY = MARIANA
LILI = MALENA
MABEL = SANDRA = ‘SAYA’

ACHAN = DIRECTOR
CSIMS = DRAMATURGIA


WEB TEMPORAL: http://www.casona.plazaatsensus.com.ar
MAIL: casona@plazaatsensus.com.ar

—————————————————————————– 
Nota: pueden enviar comentarios. 

VER MAS FOTOS EN http://s36.photobucket.com/albums/e11/plazaatsensus/Casona%202007/

VER VIDEOS EN http://youtube.com/plazaatsensus CASONA

VER MAILS https://plazaatsensus.com.ar/pipermail/casona_plazaatsensus.com.ar/

And the winner is…, Oscar 2007

Scorsese 

Santaolalla

Mirren

Nota Cinemanía

Veinte años sin Andy Warhol

Nota Completa RS

Adicta en SI

Virus & Adrian Dargelos

Pronta Entrega

httpv://www.youtube.com/watch?v=d3xmx0SJY3w

The Seagull, at the Royal Court 2007

En el Royal Court Theatre de Londres, en el Jerwood Theatre Downstairs

Una nueva versión del clásico de Chéjov de Christopher Hamptom.

Direction: Ian Rickson / Design: Hildegard Bechtler / Sound: Ian Dickinson /
Lighting: Peter Mumford / Music: Stephen Warbeck / Costume hire: Cosprop /
Wig maker: Peter King / Wig/Hair Production Consultant: Pam Humpage /
Running Wigs/Hair: Anna Morena / Dresser: Pam Anson

Cast: Denise Black / Mackenzie Crook / Chiwetel Ejiofor / Paul Jesson /
Art Malik / Carey Mulligan / Christopher Patrick Nolan / Katherine Parkinson /
Mary Rose / Pearce Quigley / Kristin Scott Thomas / Peter Wight

Más Data en Royal Court Theatre;
“…In a role that’s a far cry from the ghastly Gareth in The Office, Mackenzie Crook gives a touchingly truthful performance as Konstantin – his awkward, lanky body and injured eyes conveying the love-starved neediness of a youth who is mortified to lose both his neglectful mother and his starry-eyed girlfriend to an older, successful writer Trigorin. As the latter, Chiwetel Ejiofor seems far too straightforward and honourable – surely a writer who is as self-conscious as he is about the deadliness of turning the whole of life into “copy” would be more calculatingly aware of his effect on Carey Mulligan’s superlative Nina…” Fuente: The Independent UK
UK